movie-review
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“The Love That Remains” (Hlynur Pálmason, 2025) – 6/10
Minimalistic with cold hues, The Love That Remains begins as visual poetry, until it betrays its own aesthetic rhythm. Hlynur Pálmason’s latest feature is a tale told through contrasts, an interesting mix of what the camera allows the audience to… Continue reading
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“Days” (Tsai Ming-liang, 2020) – 8/10
Take your notorious slow-paced filmmaking style, double it in a new film you make with your fav leading actor, enter the Berlin International Film Festival, and BOOM – you have the best recipe for a comeback as a film director… Continue reading

